Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, April 27, 2017

Painting Parent Chris Benavides


How many children do you have? What are their ages?

My wife Tina and I have 2 grown boys. Their ages are 28 and 24.


How did your artistic career begin?

I’ve actually had 2 artistic careers. I currently have a day job as an Illustrator for the American Greetings Corporation in Westlake, Ohio. I’ve been working for the same company for nearly 40 years.

What you might call my second artistic career in painting began in earnest only about 4 years ago.

When I was in art school I dabbled in oil paints and I liked it a lot. But being young and inexperienced I couldn’t conceive of an actual job that would pay you to paint in oils. My actual major was fashion illustration. I chose fashion illustration not because I loved fashion so much, but because I loved drawing the figure. Most decent sized cities then had one or 2 newspapers with a fashion department that needed someone that could draw the figure in that long, elegant style as well as render accessories. The idea that I could actually get a job drawing the figure sounded great to me. As newspapers started closing down (for various reasons) fashion illustration kind of died as a possible career path, except for in some very large cities. There are still some great fashion illustrators out there, but they are much fewer. The other option for someone who could draw the figure well, at least locally that I knew of, was the greeting card company, American Greetings. At that time they were always interested in someone who could perform this skill. Growing up we also had a family friend who worked there and who became a kind of art mentor/big sister/angel to me. She always encouraged and supported me to pursue my artistic abilities and actually even offered to pay for me to take my first series of Saturday morning life drawing classes for kids at the Cleveland Institute of Art. Her job always seemed like a dream job to me so right after graduating I applied there and was hired in 1977 at 20 years of age.

What is your Parenting/work/art situation?

My wife and I met and both worked at American Greetings and maintained our careers (more on that later) while raising our boys. It wasn’t always easy and I’m sure we made lots of parenting mistakes, but they survived (and we did as well---barely, lol). And they actually still kind of like us and don’t mind doing things with us so I guess we weren’t so awfully terrible.

Do you now or have you ever worked other jobs while pursuing your art. How do you preserve time and energy for your art. Are there ways that your art benefits from your other job?

At this stage of my career I find the pull to fine art to be very strong. So strong in fact that I’ve decided to take an early retirement from my job as a commercial illustrator so I can pursue my fine art objectives with more consistency. The fact that I’ve been an illustrator in a creative company, surrounded by lots of creative people and inspiration certainly hasn’t hurt. It’s meant that as someone thinking about painting seriously, I haven’t had to start from zero in terms of experience with things like color, composition and certain aesthetic sensibilities the way perhaps a hobbyist might. During the time that I have worked and tried to improve as a painter I’ve had to force myself to go down to my basement studio even when tired. It’s not always been easy, but I’ve found that even when I’ve practically had to drag myself off the sofa after work and dinner, usually around 9pm or so, I would get a second wind and am able to paint until around midnight, meaning around 3 hrs per night, usually around 3-4 times per week.

I would also add that although I didn’t attempt this when my kids were in their very needy years, I did during those times have other interests that helped me retain my sanity. I’ve also been blessed with a very supportive wife, who is very talented herself, and without whom I don’t know if I would have been able to commit myself to my art the way I have.

Do your children get involved with your art?

My boys have only gotten involved in my art by way of modeling for me on occasion. We did try over the years to expose them to art as much as possible and our oldest son has some talent. Our youngest son never really showed much interest or aptitude for the visual arts, but does have musical ability.

Do they inspire aspects of your art?

I would say they inspire my art indirectly rather than directly. I can’t say that I consciously pull from my experiences and memories of them growing up and try to infuse it into my art in some way. But I am conscious of being dedicated and persevering as an example to them that you can accomplish dreams you may have if you’re willing to do the work. And I have to admit that it doesn’t feel terrible when they express their pride in my work or accomplishments to their friends when they come around.

How has having children changed your artwork?

I can’t say that having children has changed my artwork, because I’m really very young, in a fine art sense, and started painting seriously again after they were done with high school and needed me a lot less. Even though they are basically adults now I am conscious of how my kids perceive my art. I don’t ever want to create anything that will embarrass either them or myself. Although I strive to be an all-around painter, my favorite subject matter is mostly figurative. And even though I’m not opposed to nudity when done in good taste or in a proper context, I’m essentially a fairly modest person and would like my paintings to reflect an uplifting ethos that would speak to their sense of the more positive virtues. I guess what I might be trying to say is that I don’t want to reflect in my art anything which is contrary to who they know me as, if that makes sense.

How does making time for artwork influence other household tasks?

At the present time household tasks actually take priority over my personal artwork. It varies some, but usually when I come home from work it’s do some chores until dinner, a short breather, maybe some more chores, then hopefully painting in the evenings with whatever time remains.  I always try for at least 2 hours straight painting time. Three is good. More than three means I’m up too late and will be tired at work and not functioning well the next day. If I find that I can’t get in 2 hours of painting then I often like to go down to my studio and just putz around, clean, straighten up, organize, and maybe just think about what I want to paint next.

Have different ages of your children been more difficult to make time for artwork and in which ways?

Like I said, I wasn’t really thinking about doing my own personal art as they were growing up. It was fulfilling and satisfying enough then for me to do the artwork I was doing at my day job as an illustrator.

How do you encourage your children to be artistic?

When they were little, mostly by doing and letting them watch. My wife would sometimes do freelance or some other project when they were very small and she might have one of them in a high chair with some paper and crayons and just let them go at it. If one of them showed an interest we might let them go to a summer art camp for a week just for fun.

Do you feel extra pressure as an artist to raise your children to be artistic?

I never felt pressure to make them into artists. We always just wanted them to find their own way. If they ever showed an interest or aptitude in an artistic direction we would encourage them and help them. But we tried to round them out as people and so they also did things like play sports and learn musical instruments, basically in order to experience different things that might possibly click for them. I feel like the life of an artist, whether commercial or fine art is not really an easy one. People don’t think of art as competitive but in many ways it is. There are lots of very talented people out there and if you are not driven and dedicated to whatever craft you choose, then you’d better find something else to make a living at, because there is surely someone else out there that is managing to do so and putting in the time, and that person will either take the job you were hoping for or the gallery space that you wanted to get into. I hope this isn’t discouraging to anyone that might read this, but I don’t believe we do people a kindness when we give them false hope. That said, each person has to decide for themselves how far they hope to go and what they are willing to sacrifice to get there.

In what ways does being an artist make being a parent harder or easier?


I think being an artist can make life fun for kids. The projects, the imagination, and just seeing the world in interesting and unique ways. Kids love those things. But it can also make it harder because as artists we’re not typically gifted with left-brain strengths. So for example, we stopped being useful in helping our kids with things like math assignments somewhere around the third grade.

Do you think it effects men and women differently, being an artist and a parent?

In our case, I think our male and female differences are pretty common to most people. But it’s hard to say if it affects us differently as parents because my wife and I are both artists. Also our situation was probably a little unique to many marriages in that my wife was the major breadwinner in our family and was more career-oriented.

 Do you think being a parent affects the way you are perceived as an artist?

I can’t say I’m even sure how I may be perceived as an artist.

Are there any other things about Balancing Painting and Parenting that you would like to share?

In my opinion you may never perfectly balance parenting and your personal artwork/career. In my way of thinking our children had to come first. I made a choice to make art my career. They didn’t choose to be born. They never had a say in my career choice. If art is your chosen career path then you may have to suffer the same things that non-artists do. Things like pangs of regret or guilt over the time your kids get from you. I think if the route you’d like to pursue is that of full-time artist and parent you will need to be extremely disciplined and allot your time carefully. One thing I didn’t mention before that I’ll share is that when our kids were very small we were never completely sold on the day care route, even though we did it for a while. It came to a point that we decided that we wanted to have greater influence over our kids lives than a stranger and so we both inquired about part-time options at work. As it turned out, that option was not open to my wife, but it was open to me and so I took it so that as parents we could be more available to our kids. It doesn’t sound like a huge sacrifice, but that choice kept me from advancing in my career the way other full-time co-workers did. Not to mention that the expectation was practically the same as that of a full-time employee, so it wasn’t easy. But I felt like the sacrifice was worth it. It was never an issue for me because they mattered much more and I would do it all again. But every situation is different and each person must make their own choices as to what is best for their family. I understand that times can be tough economically for many of us and dual income families seem to be pretty much the norm. But if you can at all swing it, I would encourage parents to make sacrifices that matter for their kids. Painting will still be there when they are moved out and that time comes very quickly. I’m proof that pursuing your personal art goals later in life is still meaningful and fulfilling. Heck, I recently turned 60 (did I just say that?) and pursuing my personal art goals now gets me to feel very engaged, enthused, and energized.

Monday, April 25, 2016

Painting Parent - Diane Reeves

From Diane Reeves – Portrait and Still Life Painter

Introspection
1. How many children do you have? What are their ages?
I have two wonderful children - they are 25 and 30 now!

2. How did your artistic career begin?
In high school, my social studies teacher, Mr. Kelly, gave me my first paid commission - to
create a copy of Picasso’s Don Quixote. Mr. Kelly’s confidence in me, a fledgling artist, was very
powerful. He planted the seed, but it would be several years before I returned to art. College,
grad school, marriage and kids came along. Finally, when our youngest was seventeen, I
attended Rose Frantzen’s workshop in Iowa – and those five days literally changed my life. I
went full time as a painter three years ago, and it’s been lots of fun challenges and enjoyment
ever since! Another milestone occurred when Kristin Hoerth, the editor of Southwest Art
magazine selected a detail image from one of my paintings for her “From the Editor” page in
December 2015, it was an unexpected and very exciting confirmation that my work was of a
quality that attracts the attention of editors, collectors and galleries.

Burst of Spring Detail
3. What is your parenting/work/art situation?
I squeeze in as much painting as I can between my classes and workshops. Since our children
are now grown and living elsewhere, I have much more time for creating art.

4. Do you now or have you ever worked other jobs while pursuing your art?
Yes, I taught for many years – both elementary and middle school, as well as college – and I
loved it. My last four years, I taught middle school students art, which was icing on the cake!

5. How do you preserve time and energy for your art?
I make painting a true priority – by organizing my studio, my home and my life to allow me to
make the most of my time at the easel. Conversely, forcing myself to pull away from the easel
to get sufficient sleep and exercise is also key! I handle the business side of painting in the
evenings (entering competitions, preparing for a show, shipping art, social media, etc.).

Three Rosebuds
6. Are there ways that your art benefits from your other job?
My painting, drawing and workshop students frequently remark how well I explain and
demonstrate concepts and skills, and how patient and encouraging I am – I’m sure those are
benefits from my previous teaching career!

7. When do you make time to do your art and do you have a regular art routine?
Yes! I find routine is key! On painting days, I wake early, down two cups of tea/coffee, grab a
protein bar and get going as quickly as I can. I take a short lunch break to put my feet up, then I
return with renewed energy to my studio and wrap up around dinner time. After dinner, I
sketch at my drawing table, which is in the family room – so I can still visit with my husband. On
teaching days, I rush home to paint while it’s still light!

8. Do your children get involved with your art?
As teenagers, they critiqued my art – and as you can imagine, they were quite honest. “Hey
Mom, the statue looks awesome, but the grapes are terrible.” Their honesty was a huge
blessing, I will be forever grateful they didn’t hold back!
Ana, portrait sketch
9. Do they inspire aspects of your art?
When I first began portrait work, I painted each of my children – the paintings aren’t nearly as
developed as my work is today, but they are still very special to me!

10. How has having children changed your artwork?
I found (at least for me) being a mom and a teacher required the greater portion of my time
and energy. Fortunately, during those years I read countless art magazines, discovered Sargent
and other amazing artists, collected mountains of paints and bushels of brushes, visited
wonderful museums, viewed excellent painting videos, and dreamed of the time ahead!

11. How does making time for artwork influence other household tasks?
I find simplicity is key – and my husband is very willing to pitch in, so it’s manageable.
Exquisite 16x20
12. Have different ages of your children been more difficult to make time for artwork and in which
ways?
I loved every age my kids went through – and each had certain pulls on my time. Sports, drama
rehearsals, club events and dude ranch weekends filled my time. I figured one day I’d get back
to my art, and I finally did when my youngest was in high school.

13. How do you encourage your children to be artistic?
We had kazoodles of art materials, for two and three dimensional creations. Both our children
loved to come up with crazy inventions, new games, and occasionally even some great art.
Though neither chose art as a career, they’re both very innovative in their thinking and problem
solving, and both have artistic skills.

14. Do you feel extra pressure as an artist to raise your children to be artistic?
Not at all. Every child has unique gifts, and although it would have been fun to have one or
both of our kids choose an art-related path, we’re glad they’ve chosen paths that allow them to
use their gifts, pursue their passions, and fulfill their desire to help others.

15. Have you seen your children take inspiration from your artwork?
Indirectly, yes. They’ve seen me stretch and grow in my desire to achieve a dream – in my case,
as a professional artist. They’re very proud of their mom – and I believe they take notice of my
example as they pursue their own dreams.

16. In what ways does being an artist make being a parent harder or easier?
For me, it made it easier, because I could help my kids get their creative ideas going (for
homework projects, story writing, science fair projects, bored Saturday afternoons, etc.).

17. Do you think being a parent affects the way you are perceived as an artist?
Not that I’ve noticed.







18. Are there any other things about Balancing Painting and Parenting that you would like to share?
As much as we enjoy creating art, I believe we need to understand there are MANY other kinds
of gifts that are tiny seeds in young children. If we search for those seeds, keeping in mind they
may be different from our own, we can nurture THEIR unique interests, talents and abilities –
and in turn bring fulfillment and joy into our children’s lives.

Website: www.diane-reeves.artistwebsites.com
Blog: www.dianereevesfineart.blogspot.com

Tuesday, July 30, 2013

From beginning to end.

It is always interesting to me to look at the full evolution of a painting.  Sorry to those of you who have seen these and don't really care to see them again but I am putting them all in one post for my own viewing and analysis.





The difference in the last two photos is from taking the picture inside vs. outside. It is amazing how different the lighting makes the painting look.
 
 
I began this nursing painting and have realized after working on about half of it that I should have probably done a background layer of color to unify the painting. I need to darken the whole face, which became obvious after adding the dark hair and background. It can be so hard to judge tone before all of the context is in place.
I am hoping that this painting develops along standard lines of high hopes, frustration, fatalism, hope and then delight.  I often feel like giving up on paintings mid progress, and if I manage to push past the issues they do often work out.

Wednesday, March 27, 2013

Into the City for a museum visit.

Ongoing work on "Preparing the Todah"


Yesterday I had an opportunity to leave the two oldest kids at home with Dad and venture into the city to visit some Art museums. I took the Ergo and strapped the baby on for our first big adventure together. The baby loved the Metro ride and quickly made friends with a kindly Vietnam vet who sat beside us. She kept on giving him huge smiles and reaching over to touch his jacket.

The first Museum I went to was the National Gallery of Art. I loved looking at all the religious art and found so much of it very touching. It was a perfect meditation for Holy Week. I wish I had taken more time to really reflect on some of these touching pieces.

Giovanni della Robbia - Pietà - Sculpture - Samuel H. Kress Collection - 1943.4.70

 They had an excellent special exhibit on the Pre-raphealites. I was very impressed with their work especially since I have not payed much attention to this era. I was interested in it years ago but had mostly forgotten about it. The colors in many of these paintings seemed to glow in comparison to the other paintings in the museum.
The Blind Girl by John Everett Mallais simply glowed from across the room. The colors were so vibrant and the details were amazing to look at close up.

Christ in the House of His Parents by John Everett Mallais
I paid particular attention to this painting because of the representation of the young life of Jesus.
 
Another area that I really likes was the room with paintings by John Singer Sargent (one of my favorite artists) and Whistler. I just love standing inches away from Sargent's paintings and seeing the brushstrokes. Brushwork was definitely my favorite thing to look at during the whole day. What a large variety of ways artists apply paint.


 


John Singer Sargent - Nonchaloir (Repose) - Painting - Gift of Curt H. Reisinger - 1948.16.1
 




James McNeill Whistler - Symphony in White, No. 1: The White Girl - Painting - Harris Whittemore Collection - 1943.6.2
 
At the National Portrait Gallery I was not as impressed simply because the focus was on the subject of the painting rather than on the technique and artistry of the painter. I was also much more tired, having already spent hours carrying the baby around. The courtyard was very nice and it was wonderful to be surrounded by warm air and beautiful trees and flowers.
 
 My favorite painting however was this painting of  Roosevelt
 

Franklin D. Roosevelt Presidential "Hands" Portrait, 1945 by Douglas Chandor

Friday, November 11, 2011

Babes in progress

 I continued to work on "Babes in a Tide Pool" this evening. It is quite a challenge to paint fabric with flowers and plaid on it but it is working some and will need more development to come.

The back ground was fun to paint and very loose. I was grooving to classic rock on Pandora and my paint brush was going to town. I was amazed at how much paint it took to cover the whole thing. I put more paint out about 4 times each time thinking that that should be enough. I love having so much wet paint on the canvas right now. It just feels so great to add paint when everything is still wet and blends so beautifully and fluidly. This is exactly the feeling that made me love oil paints in the first place. It is nice to be able to look at the pictures of the work because it helps me get a perspective of what really is starting to work from a distance. I think that his clothes and her pants are looking very nice and also the shadows in the tide pool. Still work to do on her face and all skin and hair. Also with blending edges and all of the reflected light.


I have oil paints purchased when I was about eight years old that I am still using, and brushes that were bought well before I was born. Both my mother and my grandmother dabbled in some painting so those supplies were passed down to me. It is so amazing how long supplies can last.

I love the connection that I have to my grandmother when I use her brushes. I was in my early teens when she died after years of Alzheimer's. She never seemed to connect with me probably because I was so young when she was still herself. She was more strict than my other grandmother and we had conflicts over food. I was rather picky and it would become a big deal. There was a certain jello and fruit cocktail salad that she would serve on a bed of prickly lettuce, that I could not stand and it made an appearance at seemingly every dinner.

I like to think that my grandmother would be proud of me now and we would connect over the brushes we have both used and the art we have made with them.

Tuesday, November 8, 2011

Babes get fleshed out


I started painting Babes in a tide pool during the kids nap and got a first layer of skin tones laid out. After they were put to bed I worked some on the clothes. Painting seems to be going well.

Monday, November 7, 2011

Finger Paint




In an attempt to get my son to loosen up a little with his painting I decided to try finger paints with the kids today. I have a recipe for homemade finger paints I wanted to try and my son always loves a cooking project so we set to work. He loved seeing the mix on the stove and things were going well until my daughter peed on the floor (OK admittedly not the best time to decide to try potty training). In the time it took to whisk her off to the potty and clean up the puddle my finger paints were boiling vigorously. So my paint turned out a little thick but thankfully still usable. Both kids and I enjoyed finger painting however I should have taken more stain prevention measures. My daughter was laying across her painting in an effort to reload her little digits with brightly colored goop.

On my projects I think I have finished up the ship painting and while it turned out reasonably well I don't really like it for several reasons. I do not like copying someone else's work, ships are not what I like to paint and I had no idea what I was doing when I started trying to paint it so I do not think it is my best work. At least I hope there are better things to come. I had to get the painting finished so that I could hang it up and have more room on the top of my dining room hutch for wet painting storage. This can be a problem when one has little space and two small kids who want to touch and help color everything.



I also finished drawing the babes in a tide pool and toned the canvas so it should be ready to begin painting tomorrow. I am nervous about starting because I really want this to turn out well and am doubting myself some.

Red Lilly

I started this painting yesterday during nap time and wanted to complete it in one day. After bedtime I got back to work it is now done except for perhaps a few finishing touches when I look at it in a week or so. It was only 12"x12" so not a very large painting.

I also started laying out a 24" x 36" canvas for the babes in a tide pool painting, that I had hoped to paint while in Florida.

The kids were excited to see a new painting underway when they got up from nap time, and promptly got to work with art creations of their own. My daughter colored one page green, along with her hands, face, and jumper. Thank heaven for washable markers. My son started out trying to paint a flower but as he told Daddy its now "Just a black and blue picture." He is very realistic in his analysis of what he paints.

I would like to start getting the kids into different kinds of art and am currently browsing the Internet for ideas. This was one interesting article.